Legato (English) - Versionsgeschichte

Heinrich: /* Applied research */

2021-04-30T17:36:49Z

Applied research

← Nächstältere Version		Version vom 30. April 2021, 19:36 Uhr
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	The importance of modified voicing in the clarino and high register has been investigated by numerous research teams, including Montserrat Pàmies-Vilà (2020)<ref>Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 [https://www.researchgate.net/publication/338709103_The_influence_of_the_vocal_tract_on_the_attack_transients_in_clarinet_playing researchgate.net] {12.28.2020}</ref>. Their analysis showed that modified vowel shaping supports shorter transients and helps to avoid resonances in the lower range (called "underblowing") when playing in the clarino register.		The importance of modified voicing in the clarino and high register has been investigated by numerous research teams, including Montserrat Pàmies-Vilà (2020)<ref>Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 [https://www.researchgate.net/publication/338709103_The_influence_of_the_vocal_tract_on_the_attack_transients_in_clarinet_playing researchgate.net] {12.28.2020}</ref>. Their analysis showed that modified vowel shaping supports shorter transients and helps to avoid resonances in the lower range (called "underblowing") when playing in the clarino register.
	<br>		<br>
	Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12.12.2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] compared to the vowel shaping [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]]led to better results in the response.		Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12.12.2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] compared to the vowel shaping [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]] led to better results in the response.

	[[Kategorie:Fundamentals, English]]		[[Kategorie:Fundamentals, English]]

Heinrich: /* Historical sources */

2021-04-30T17:35:50Z

Historical sources

← Nächstältere Version		Version vom 30. April 2021, 19:35 Uhr
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	\| ref = <ref>Leopold Mozart Violinschule, herausgegeben von der Internationalen Stiftung Mozarteum, Salzburg [https://dme.mozarteum.at/digital-editions/violinschule#7-1-20] {11.18.2020}.</ref>		\| ref = <ref>Leopold Mozart Violinschule, herausgegeben von der Internationalen Stiftung Mozarteum, Salzburg [https://dme.mozarteum.at/digital-editions/violinschule#7-1-20] {11.18.2020}.</ref>
	}}		}}
	Jean-Xavier Lefèvre (1810)<ref name=Lefèvre>Lefèvre, Jean-Xavier. Méthode de Clarinette : adoptée par le Conversatoire pour servir à l'étude dans cet établissement. Paris, 1802 [https://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10497389_00052.html?contextSort=score%2Cdescending&contextType=scan&contextRows=10&zoom=0.6000000000000001&context=legato]{18. ~~November~~ 2020}</ref> points out in his "Methode" that practicing scales at a slow tempo and with a good legato is one of the most important prerequisites for good instrumental technique:		Jean-Xavier Lefèvre (1810)<ref name=Lefèvre>Lefèvre, Jean-Xavier. Méthode de Clarinette : adoptée par le Conversatoire pour servir à l'étude dans cet établissement. Paris, 1802 [https://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10497389_00052.html?contextSort=score%2Cdescending&contextType=scan&contextRows=10&zoom=0.6000000000000001&context=legato]{11.18.2020}</ref> points out in his "Methode" that practicing scales at a slow tempo and with a good legato is one of the most important prerequisites for good instrumental technique:
	{{Zitat		{{Zitat
	\| Text = Si l'on veut parvenir à bien jouer cet instrument, il faut faire beaucoup de gammes très lentement de manière à ce que les sons soient bien liés et bien nuancés: outre que cela procure beaucoup de respiration, cela donne aussi une embouchure ferme, et une belle qualité de son.		\| Text = Si l'on veut parvenir à bien jouer cet instrument, il faut faire beaucoup de gammes très lentement de manière à ce que les sons soient bien liés et bien nuancés: outre que cela procure beaucoup de respiration, cela donne aussi une embouchure ferme, et une belle qualité de son.

Heinrich: /* Historical sources */

2021-04-30T17:35:12Z

Historical sources

← Nächstältere Version		Version vom 30. April 2021, 19:35 Uhr
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	\| Autor = Leopold Mozart		\| Autor = Leopold Mozart
	\| Quelle = Violinschule S. 135, § 20.		\| Quelle = Violinschule S. 135, § 20.
	\| ref = <ref>Leopold Mozart Violinschule, herausgegeben von der Internationalen Stiftung Mozarteum, Salzburg [https://dme.mozarteum.at/digital-editions/violinschule#7-1-20], {18. ~~November~~ 2020}.</ref>		\| ref = <ref>Leopold Mozart Violinschule, herausgegeben von der Internationalen Stiftung Mozarteum, Salzburg [https://dme.mozarteum.at/digital-editions/violinschule#7-1-20] {11.18.2020}.</ref>
	}}		}}
	Jean-Xavier Lefèvre (1810)<ref name=Lefèvre>Lefèvre, Jean-Xavier. Méthode de Clarinette : adoptée par le Conversatoire pour servir à l'étude dans cet établissement. Paris, 1802 [https://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10497389_00052.html?contextSort=score%2Cdescending&contextType=scan&contextRows=10&zoom=0.6000000000000001&context=legato]{18. November 2020}</ref> points out in his "Methode" that practicing scales at a slow tempo and with a good legato is one of the most important prerequisites for good instrumental technique:		Jean-Xavier Lefèvre (1810)<ref name=Lefèvre>Lefèvre, Jean-Xavier. Méthode de Clarinette : adoptée par le Conversatoire pour servir à l'étude dans cet établissement. Paris, 1802 [https://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10497389_00052.html?contextSort=score%2Cdescending&contextType=scan&contextRows=10&zoom=0.6000000000000001&context=legato]{18. November 2020}</ref> points out in his "Methode" that practicing scales at a slow tempo and with a good legato is one of the most important prerequisites for good instrumental technique:
Zeile 36:		Zeile 36:
	In addition to recommending legato playing, Jean-Xavier Lefèvre points out that too soft a reed makes legato playing more difficult.		In addition to recommending legato playing, Jean-Xavier Lefèvre points out that too soft a reed makes legato playing more difficult.

			[[Kategorie:Fundamentals, English]]

	==Playing technique tips - Contributions by Interviewees==		==Playing technique tips - Contributions by Interviewees==

Heinrich: /* Applied research */

2021-04-30T17:34:31Z

Applied research

← Nächstältere Version		Version vom 30. April 2021, 19:34 Uhr
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	[[Michel Arrignon#Legato ou détaché : garder la même embouchure, la même position de la langue\|Michel Arrignon]], [[Gerald Kraxberger#Didaktischer Kanon\|Gerald Kraxberger]], [[Heinrich Mätzener#Unabhängigkeit von Ansatzformung und Formanten\|Heinrich Mätzener]], [[Harri Mäki#Finding the optimal voicing\|Harri Mäki]], [[Frédéric Rapin#Legato\|Frédéric Rapin]], all agree that embouchure stability plays an important role in tone changes. The ability to play even the most difficult leaps and register changes with a stable embouchure - but with agile voicing - is also considered a prerequisite for good staccato quality.		[[Michel Arrignon#Legato ou détaché : garder la même embouchure, la même position de la langue\|Michel Arrignon]], [[Gerald Kraxberger#Didaktischer Kanon\|Gerald Kraxberger]], [[Heinrich Mätzener#Unabhängigkeit von Ansatzformung und Formanten\|Heinrich Mätzener]], [[Harri Mäki#Finding the optimal voicing\|Harri Mäki]], [[Frédéric Rapin#Legato\|Frédéric Rapin]], all agree that embouchure stability plays an important role in tone changes. The ability to play even the most difficult leaps and register changes with a stable embouchure - but with agile voicing - is also considered a prerequisite for good staccato quality.
	==Applied research==		==Applied research==
	The importance of modified voicing in the clarino and high register has been investigated by numerous research teams, including Montserrat Pàmies-Vilà (2020)<ref>Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 [https://www.researchgate.net/publication/338709103_The_influence_of_the_vocal_tract_on_the_attack_transients_in_clarinet_playing researchgate.net] {28. ~~Dezember~~ 2020}</ref>. Their analysis showed that modified vowel shaping supports shorter transients and helps to avoid resonances in the lower range (called "underblowing") when playing in the clarino register.		The importance of modified voicing in the clarino and high register has been investigated by numerous research teams, including Montserrat Pàmies-Vilà (2020)<ref>Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 [https://www.researchgate.net/publication/338709103_The_influence_of_the_vocal_tract_on_the_attack_transients_in_clarinet_playing researchgate.net] {12.28.2020}</ref>. Their analysis showed that modified vowel shaping supports shorter transients and helps to avoid resonances in the lower range (called "underblowing") when playing in the clarino register.
	<br>		<br>
	Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12.12.2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] compared to the vowel shaping [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]]led to better results in the response.		Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12.12.2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] compared to the vowel shaping [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]]led to better results in the response.

Heinrich: /* Applied research */

2021-04-30T17:34:04Z

Applied research

← Nächstältere Version		Version vom 30. April 2021, 19:34 Uhr
Zeile 71:		Zeile 71:
	The importance of modified voicing in the clarino and high register has been investigated by numerous research teams, including Montserrat Pàmies-Vilà (2020)<ref>Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 [https://www.researchgate.net/publication/338709103_The_influence_of_the_vocal_tract_on_the_attack_transients_in_clarinet_playing researchgate.net] {28. Dezember 2020}</ref>. Their analysis showed that modified vowel shaping supports shorter transients and helps to avoid resonances in the lower range (called "underblowing") when playing in the clarino register.		The importance of modified voicing in the clarino and high register has been investigated by numerous research teams, including Montserrat Pàmies-Vilà (2020)<ref>Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 [https://www.researchgate.net/publication/338709103_The_influence_of_the_vocal_tract_on_the_attack_transients_in_clarinet_playing researchgate.net] {28. Dezember 2020}</ref>. Their analysis showed that modified vowel shaping supports shorter transients and helps to avoid resonances in the lower range (called "underblowing") when playing in the clarino register.
	<br>		<br>
	Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 ~~Dezember2020~~}</ref> were able to prove that, especially in the clarino register, the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] compared to the vowel shaping [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]]led to better results in the response.		Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12.12.2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] compared to the vowel shaping [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]]led to better results in the response.

	[[Kategorie:Fundamentals, English]]		[[Kategorie:Fundamentals, English]]

Heinrich: /* Applied research */

2021-04-30T17:30:34Z

Applied research

← Nächstältere Version		Version vom 30. April 2021, 19:30 Uhr
Zeile 71:		Zeile 71:
	The importance of modified voicing in the clarino and high register has been investigated by numerous research teams, including Montserrat Pàmies-Vilà (2020)<ref>Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 [https://www.researchgate.net/publication/338709103_The_influence_of_the_vocal_tract_on_the_attack_transients_in_clarinet_playing researchgate.net] {28. Dezember 2020}</ref>. Their analysis showed that modified vowel shaping supports shorter transients and helps to avoid resonances in the lower range (called "underblowing") when playing in the clarino register.		The importance of modified voicing in the clarino and high register has been investigated by numerous research teams, including Montserrat Pàmies-Vilà (2020)<ref>Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 [https://www.researchgate.net/publication/338709103_The_influence_of_the_vocal_tract_on_the_attack_transients_in_clarinet_playing researchgate.net] {28. Dezember 2020}</ref>. Their analysis showed that modified vowel shaping supports shorter transients and helps to avoid resonances in the lower range (called "underblowing") when playing in the clarino register.
	<br>		<br>
	Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 Dezember2020}</ref> were able to prove that, especially in the clarino register, ~~the vowel shaping [i] compared to~~ the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] ~~gegenüber der Voklaformung~~ [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]] led to better results in the response.		Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 Dezember2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] compared to the vowel shaping [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]]led to better results in the response.



			[[Kategorie:Fundamentals, English]]

	==References==		==References==

	[[Kategorie:Fundamentals, English]]		[[Kategorie:Fundamentals, English]]

Heinrich am 30. April 2021 um 17:29 Uhr

2021-04-30T17:29:00Z

← Nächstältere Version		Version vom 30. April 2021, 19:29 Uhr
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	~~[[Kategorie: Fundamentals, English]]~~
	<references/>		<references/>
	'''Contributions by Interviewees'''		'''Contributions by Interviewees'''
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	In addition to recommending legato playing, Jean-Xavier Lefèvre points out that too soft a reed makes legato playing more difficult.		In addition to recommending legato playing, Jean-Xavier Lefèvre points out that too soft a reed makes legato playing more difficult.

	~~[[Kategorie:Fundamentals, English]]~~

	==Playing technique tips - Contributions by Interviewees==		==Playing technique tips - Contributions by Interviewees==
Zeile 74:		Zeile 73:
	Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 Dezember2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [i] compared to the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] gegenüber der Voklaformung [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]] led to better results in the response.		Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 Dezember2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [i] compared to the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] gegenüber der Voklaformung [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]] led to better results in the response.

	~~[[Kategorie:Fundamentals, English]]~~

	~~==References==~~

	~~1. Leopold Mozart Violinschule, herausgegeben von der Internationalen Stiftung Mozarteum, Salzburg [1], {November 18th 2020}.~~
	~~2. ↑ Hochspringen nach: 2,0 2,1 Lefèvre, Jean-Xavier. Méthode de Clarinette : adoptée par le Conversatoire pour servir à l'étude dans cet établissement. Paris, 1802 [2]{November 18th 2020}~~
	3. ↑ Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 researchgate.net {Dezember 28th 2020}
	4. ↑ Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. researchgate.net {Dezember 12th 2020}

	~~[[Kategorie:Fundamentals, English]]~~

	==References==		==References==

	[[Kategorie:Fundamentals, English]]		[[Kategorie:Fundamentals, English]]

Heinrich: /* Applied research */

2021-04-30T17:28:34Z

Applied research

← Nächstältere Version		Version vom 30. April 2021, 19:28 Uhr
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	<br>		<br>
	Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 Dezember2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [i] compared to the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] gegenüber der Voklaformung [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]] led to better results in the response.		Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 Dezember2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [i] compared to the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] gegenüber der Voklaformung [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]] led to better results in the response.
	~~<references/>~~
			[[Kategorie:Fundamentals, English]]

	==References==		==References==

Heinrich: /* Applied research */

2021-04-30T17:27:44Z

Applied research

← Nächstältere Version		Version vom 30. April 2021, 19:27 Uhr
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	<br>		<br>
	Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 Dezember2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [i] compared to the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] gegenüber der Voklaformung [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]] led to better results in the response.		Claudia Fritz et al. (2005)<ref name=Fritz>Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. [https://www.researchgate.net/profile/Claudia_Fritz/publication/228430788_Experimental_study_of_the_inflence_of_the_clarinettist's_vocal_tract/links/543284240cf225bddcc7ad5f.pdf researchgate.net] {12 Dezember2020}</ref> were able to prove that, especially in the clarino register, the vowel shaping [i] compared to the vowel shaping [https://en.wikipedia.org/wiki/Close_front_unrounded_vowel [i]] gegenüber der Voklaformung [https://fr.wikipedia.org/wiki/Voyelle_ouverte_antérieure_non_arrondie [a]] led to better results in the response.
			<references/>
			==References==

	~~References~~
	1. Leopold Mozart Violinschule, herausgegeben von der Internationalen Stiftung Mozarteum, Salzburg [1], {November 18th 2020}.		1. Leopold Mozart Violinschule, herausgegeben von der Internationalen Stiftung Mozarteum, Salzburg [1], {November 18th 2020}.
	2. ↑ Hochspringen nach: 2,0 2,1 Lefèvre, Jean-Xavier. Méthode de Clarinette : adoptée par le Conversatoire pour servir à l'étude dans cet établissement. Paris, 1802 [2]{November 18th 2020}		2. ↑ Hochspringen nach: 2,0 2,1 Lefèvre, Jean-Xavier. Méthode de Clarinette : adoptée par le Conversatoire pour servir à l'étude dans cet établissement. Paris, 1802 [2]{November 18th 2020}
	3. ↑ Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 researchgate.net {Dezember 28th 2020}		3. ↑ Montserrat Pàmies-Vilà, Alex Hofmann & Vasileios Chatziioannou. The influence of the vocal tract on the attack transients in clarinet playing, Journal of New Music Research, 49:2, 126-135, 2020 researchgate.net {Dezember 28th 2020}
	4. ↑ Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. researchgate.net {Dezember 12th 2020}		4. ↑ Fritz, Claudia, Causse, René, Kergomard, Jean, and Wolfe, J. n.d. Experimental study of the influence of the clarinettist's vocal tract. Forum Acusticum (Hongrie Budapest) HAL CCSD 2005. researchgate.net {Dezember 12th 2020}

			[[Kategorie:Fundamentals, English]]

	==References==		==References==

	[[Kategorie:Fundamentals, English]]		[[Kategorie:Fundamentals, English]]

Heinrich: /* Historical sources */

2021-04-29T21:31:37Z

Historical sources

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	In addition to recommending legato playing, Jean-Xavier Lefèvre points out that too soft a reed makes legato playing more difficult.		In addition to recommending legato playing, Jean-Xavier Lefèvre points out that too soft a reed makes legato playing more difficult.

			[[Kategorie:Fundamentals, English]]

	==Playing technique tips - Contributions by Interviewees==		==Playing technique tips - Contributions by Interviewees==
	===Continuous air flow and breath support===		===Continuous air flow and breath support===