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Articles in English <categorytree depth=0 mode=pages>Fundamentals, English</categorytree>

…org/wiki/Dynamics_(music) Dynamics] refers to the use of different volumes in musical performance. Dynamics serve as a basis for the elaboration of [http …e clarinet is usually played without vibrato, dynamics play a greater role in shaping phrases.

…|attack and response]] and facilitates control over the various registers. In order to achieve the best tone results, voicing must not simply remain acti …how comprises the following sub-aspects, which can be used individually or in combination:

…wikipedia.org/wiki/Gervase_de_Peyer Gervase de Peyer], who is obviously an English clarinetist, but he went to Paris to study with Cahuzac. Actually, in November I’m going to London for a week. He died last year and his widow,

…udied with [https://en.wikipedia.org/wiki/Simeon_Bellison Simeon Bellison] in New York. So a different kind of idea coming came from there, the Russian… …ay to Paris to study, I entered the Jeunesse Musicale Clarinet Competition in Belgrade and ended up winning it. This led to me getting offers for quite…

…ormer, as well as a prolific recording artist took place on June 11th 2019 in New York and was edited by Heinrich Mätzener. …so he might still be alive”. So, there was an address in there, an address in NY. I wrote a letter to him, I wrote that I had just completed my master's

…German word “Ansatz” additionally implies the placement of the instrument in the mouth by the manner of holding. The shape of the embouchure has a decis * [[Ernesto Molinari#Ansprache im oberen Klarin-Register, in leiser Dynamik|Ernesto Molinari]]

…ungheelee.com Seunghee Lee] (a.k.a Sunny Kang) took place on June 6, 2019 in New York and was edited by Heinrich Mätzener. ''HM: What would you say: what requirements must today’s clarinetists meet in terms of sound quality?''

…lecturer and educator took place on June 7th, 2019 at the Gershwin Theatre in New York and was edited by Heinrich Mätzener. …re important personalities forming a lot of famous clarinetists in the USA in during the 20th

…ll as colleagues of the French speaking part of Switzerland and colleagues in France.'' DS: You’re in the center. Every direction, you have all those schools.

…e auch [[:Kategorie:Tonbildung|Tonbildung]]). Das Vokalisieren beeinflusst in entscheidendem Masse die [[Klangfarbe]], [[Intonation]], [[Artikulation]], …Vokalisierung. Das Know-how umfasst folgende Teilaspekte, die einzeln oder in Kombination eingesetzt werden können:

…ony, orchestral soloist and chamber musician was held the 8th of June 2019 in New York and has been edited by Heinrich Mätzener. …No direction, no shape in the phrasing, this is just - so what? When it’s in tune, that’s great! Nice, that’s great to play and blend with other ins

…following generations. Interestingly, the development of the French school in Europe took a significantly different course.'' ''HM: I asked you to participate in the project because your teachers can be assigned to the tradition of the…

In his textbook Methodische Schule der klarinettistischen Grifftechnik [System …aufliegen, dennoch ihre Positionen über den für sie bestimmten Tonlöchern in einheitlich nicht zu weiten und vor allem nicht verschobenen Abständen bei

…ith notes from the masterclasses given at 16th and 17thth of November 2019 in the Lucerne University of applied sciences, and has been edited by Heinrich ''HM: What were the most important stages in your training as a clarinettist? Which were your teachers and which clarine

…al notes without articulation pauses is explained in the chapter [[Legato (English)|Legato]], as a variant of articulation. …This results in a direct relationship between articulation and [[Timbre]]. In a musical context, articulation is considered an important parameter for in

…he body is given great attention. The references to this are usually found in the first chapters of the textbooks. * [[Frédéric Berr#Spielhaltung|Frédéric Berr: „Head straight, chest in neutral position“]]

…usdauer zu erreichen, ist von der Technik, durch eine "ruckartige Bewegung in der Kehle [Glottisschlag] oder der Brust" („faire agir par secousse, le g …chen Satzes selbst zur besten Richtschnur dienen, wie ihn der Klarinettist in Ansehung der Zunge vorzutragen hat. Denn nicht bei jeder Note kann der Komp